![]() I work like that, and we find that in this creation.” – Sharon Eyalīallet created on 5 March 1982 at the Stadsschouwburg of Amsterdam by the Dutch National Ballet and entered the repertoire of the Opera in 2017. A few elements and intimate, minimalistic gestures. And also this quiet dramatic feeling… you don’t need to do so much. I love this style its visual side inspires me. “Nijinsky’s L’Après-midi d’un faune is a work that marked me as a child. With Marion Barbeau, Caroline Osmont, Nine Seropian, Marion Gautier de Charnacé, Héloïse Jocqueviel, Simon Le Borgne, Yvon Demol, and Antonin Moniéīallet created on 1 December 2021 by the Paris Opera Ballet Faunes (Sharon Eyal) – © Yonathan Kellerman OnP ![]() Exhausted, he falls to the ground, regains his strength, gets up again, but in vain: the bird offers a last flap of its wings before its agony.”Ĭreated for Anna Pavlova, the first incarnation of this tragic figure, the ballet entered the repertoire of the Paris Opera in 1937 in a version directed by Serge Lifar. To the melancholy music of Camille Saint-Saëns for cello and piano, taken from Carnaval des animaux, the Russian choreographer Mikhail Fokine imagined in 1907 a solo that has become mythical: (in the words of the Paris Opera press office) “a swan, in the guise of a bird-woman, fights relentlessly against death. The Dying Swan (Mikhail Fokine) – Dorothée Gilbert © Julien Benhamou OnPīallet created in 1905 and entered the repertoire of the Opera in 1937. Such is the passionate, sensual journey that Preljocaj brings to life in Le Parc. The protagonists draw closer, gamble, take risks, and show their hand before the ultimate soaring surrender as they abandon themselves entirely to love’s desires. Love begins like a game of musical chairs in which glances, gestures and smiles are exchanged according to desire and mood. It is that which gives the panache, the elegance of the diagonal and the variation, the humour, the spirit, the voluptuous tenderness retained of this woman who knows she is loved and who also likes, in the saying, but who always dominates…” – Yvette Chauviré Le Parc ( Angelin Preljocaj) – © Svetlana Loboff OnPīallet created for the Paris National Opera Ballet in 1994. Everything must remain in the most absolute standard. He gave it this title because he wanted it to be really classical, academic. “Gsovsky made for me Grand pas classique in 1949. With Valentine Colasante and Hugo Marchandīallet created by Yvette Chauviré and Wladimir Skouratoff in 1949 at the Théâtre des Champs-Elysées and entered the repertoire of the Paris National Opera Ballet in 1964. PARIS OPERA BALLET AT THE HOLLYWOOD BOWL – PROGRAMME Grand Pas Classique (Victor Gsovsky) – Valentine Colasante and Hugo Marchand © Julien Benhamou OnP On the immense open-air stage, and accompanied by the LA Philharmonic under the baton of Dudamel, who is also Music Director of the Opéra National de Paris, the company will present an anthology of its repertoire with Jean-Yves Thibaudet as the solo pianist. The Paris Opera Ballet returns to international touring and will perform, at the invitation of Gustavo Dudamel, two performances at the Hollywood Bowl in Los Angeles in front of more than 34,000 people.ĭudamel asked the company to participate in the 100th anniversary season of the Hollywood Bowl, and this will be the first time that the Paris Opera Ballet has performed in the famous LA amphitheatre. Trois Gnossiennes ( Hans van Manen) – Ludmila Pagliero and Hugo Marchand ©Svetlana Loboff OnP
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